![jst gain reduction on vocals jst gain reduction on vocals](https://cdn.rekkerd.org/wp-content/uploads/2015/12/PIB-Joey-Sturgis-Tones-Gain-Reduction-Deluxe-sale.jpg)
A compressor should work to lower the peaks of your signal, effectively reducing their levels to be more in line with the rest of your tracks. Gain reduction is the core functionality of a great compressor. You need to maintain control over the elements of your mix and gain reduction on your peaks is a great way to do that. Whether you’re using a dedicated plugin like Gain Reduction 2 or you’re simply compressing your signal with a stock plugin, gain reduction is extremely common in the studio when recording and mixing. So if they’re virtually doing a lot of things the same, how does gain reduction stand out from other processes in the recording studio? They both work to effectively even out the peaks of a signal, resulting in a smoother, more even sound. They both add harmonic distortion and saturation to a signal. Truth be told – turning up the gain on the amp and the effects of gain reduction aren’t very dissimilar at all. Wouldn’t it make sense if gain reduction were the exact opposite of that?
![jst gain reduction on vocals jst gain reduction on vocals](https://i0.wp.com/www.recordingrevolution.com/wp-content/uploads/2017/03/adjusting_clip_gain_pro_tools.jpg)
At face value, it seems like you’re just turning something down, right? After all, when you turn up the gain on a guitar amp, it gets louder and grittier.
#JST GAIN REDUCTION ON VOCALS PRO#
You now have a cooler sounding bass than that synth ever could have made on its own.Īnyway, maybe it's just me, but I would love to see this feature in Mixcraft 9.“Gain reduction” has to be one of the most misunderstood phrases in pro audio and it’s easy to understand why. With the matrix idea you could simply add a new envelope, assign it to controlling the pitch of the bass, and adjust the ADSR as needed. With Audio Control you could (to more accurately model an actual envelope) use the volume envelope of another synth to control the pitch, but you would have to make sure there always are notes in the controlling track in the same places as the notes in the bass track. With Automation you would have to automate the pitch change and copy/paste it to every single note.
![jst gain reduction on vocals jst gain reduction on vocals](https://musicianonamission.com/wp-content/uploads/2016/07/VocalComp.png)
Let's say the synth you want to use is incapable of doing this. Say, for instance, that you have a punchy bass, but you want to make it sound more interesting by quickly reducing, then increasing the pitch at the beginning of every note. What I'm talking about would make it a lot easier to do certain things which require lots of work to do otherwise. The difference is that some things require less work to do with Audio Control than with Automation, and vice versa. You can do the same things with Audio Control and Automation. I know about Audio Control (I have watched most of the video tutorials). It's a powerful feature that most people aren't paying attention to. You can use audio from any track to control any plugin parameter. You should check out Mixcraft 8's Audio Control feature. Yes, I meant I was looking for something to do gain staging when I came across that which obviously isn't but is class though It does have an interesting "purpose designed" nature to it.īut like many plug-ins, it does have input/output level controls that assist in gain staging, if that what you mean. It is a dynamic compressor designed for heavy compression, aimed primarily at use on vocals in "heavy" music. JST's Gain Reduction however isnt really a gain staging tool specifically- though I can see how the name could possibly confuse. I like combining a meter with gain control. Which is pretty clunky IMO)įWIW- Blue Cats gain suite is handy. Though there are many workarounds if needed, it would be nice if there was some native method. Mark Bliss wrote:Yes to to the suggestion of track input gain trim.